Tracie!

So, it’s 1982, you’re 17 years old, you’re a bit bored, and one afternoon as you’re idly flicking through the pages of Smash Hits magazine…respond2

Tracie Young was only 17 when she answered Paul Weller’s call for a new young female singer in the pages of Smash Hits in September 1982.

“That was just after I moved from Chelmsford to Hereford and I was unemployed and really bored. When I saw the advert I couldn’t believe it: it was exactly the sort of thing I was looking for”, she told Neil Tennant in a future issue of the aforementioned publication, just before the release of her debut single the following March.

p16649l00i9Paul Weller’s post Jam offerings came in two varieties. One was his new band The Style Council – where the slicking of hair, and wearing a pastel shade Pringle jumper around your shoulders, like it was a cape, was actively encouraged. The other was his Respond Records label, the “new Motown” with Weller taking on the role of the “new Berry Gordy”. It was very serious, and Weller, ever the Northern Soul Boy suddenly started spouting off about “real music” and having his photo taken at Bar Italia to hint at his new found sophistication – which might have been seen as something of a rejection of his Punk fanbase. Some Jam fans certainly thought so.

Weller wrapped up his Jam career that same year with the uptempo “Beat Surrender”, and Tracie, apparently no longer unemployed and bored, found herself on Top of The Pops…in The Jam.

R-629900-1531215845-2789.jpegRespond had already released a couple of singles in 1981, one of these was “Been Teen” by our beloved Dolly Mixture, which bore the inaugural catalogue number of RESP1… but that was before Mr Pringle-Cape got all Motor City about the whole thing.

Signing Scottish band The Questions, Tracie and A Craze, Weller’s new creation started to take shape. Tracie and members of The Questions began to work together, even appearing alongside Weller and Talbot in The Style Council as the musical guests on BBC comedy show “Three of a Kind”, performing the Isley Brothers classic “Harvest for the World”.

From behind his bongos (seriously?) Weller comes across a bit like a trendy teacher, who’s finally convinced some of the people at youth club to sing some “proper music for a change”. It was probably good practice for everyone else involved, and definitely fed into the idea that, with the power vested by a pastel Pringle, he was now running the new Motown.

tracie_smash_hitsTracie! gained an exclamation mark! and in March 1983 released her first solo single “The House That Jack Built”, written by Paul Berry and John Robinson of The Questions. The song, who’s title sounded a bit like “The House That Jack Built” by Aretha Franklin (1968), and who’s opening keyboard hook sounded a little bit similar to “Centerfold” by J Geils Band (1982) took Tracie! and the Respond posse into the UK Top Ten on 17 April 1983. The Respond Records revolution looked to be on it’s way.

 

Tracie never made it into the Top Ten again, and despite her feisty vocals and cool hat, her subsequent singles gradually drifted out of sight altogether. Respond themselves shut up shop in 1986, the new Motown dream in tatters, in a world not quite ready to be dragged back into the glory days of twenty years ago, or indeed lectured by Paul Weller about “proper music”.

TY FBTracie Young has since carved out a career as a radio presenter with both Radio Essex and Connect FM, and in 2014 Cherry Red released “No Smoke Without Fire” her second album, recorded for Polydor, but never released.

At 17, it must have taken some guts to answer an ad in Smash Hits, and even more to jump into Wellers vision of a brave new world. Tracie has never confessed to being influenced by Punk, but with that kind of attitude…we think that somewhere she may have been.

You can visit Tracie on her Twitter HERE

Quotes from Smash Hits found on the excellent ifyouwerethere1980s HERE

If, like us you are still slightlysaint+etienne_kraftwerk+ripoff intrigued by Weller’s vision of a cappuccino slurping utopia, populated by beautiful people, riding say, to a late night jazz club in Soho, on scooters, wearing 60s influenced fashions and reading French magazines, it seems to us that this was finally nailed some years later by the lovely St Etienne. And in an almost spooky twist of fate, Respond label dropout Debsy Wykes of the great Dolly Mixture, now contributes vocals to the very self same. Frothy coffees all round, à ta santé .

7 thoughts on “Tracie!

  1. I loved everything that went out on Respond. Tracie and the others were great.
    A cappuccino kid.

    1. Hi Bernie, thanks for your comment

  2. oh my goodness! as a young nyc fan, i soaked up as much as i could on everything wellerish and developed a total girl-crush on our tracie as soon as i saw that ‘smash hits’ cover.

    so thank you so much! i never knew the “harvest for the world” video existed! and despite it being a terrible song, it gives us tracie in that outfit- so alls good in the end. i am fan-girling all over like it’s 1983!

    oh – and the dolly mixtures – one of the best things weller could have done, bringing us their music. they were like second cousins to the shop assistants. really great stuff.

    1. Hi Als, thanks for your comment

  3. I went to a lot of those Respond posse gigs in and around London in the early/mid 80’s, they were a great idea and some good gigs, it was never quite Motown but as a 17-18 year old seeing all those bands and often Weller at the gigs made a great night. Don’t forget Vaughn Toulouse (RIP) and the Main T Posse!

    1. Hi Lee, thanks for your comment. It’s always great to hear from people who were actually at some of the gigs and events we mention. We’d like to hear more…. we’re wondering if you were a Jam fan who followed Weller into the next step, or did you find Respond some other way? What were Respond fans wearing? What other bands or fashions were you following at the same time? Who was on your turntable and where did you go? Has that era left you with any lasting traits or tastes? Tell us more!!!

  4. I was so disillusioned when Weller called it quits with the Jam that you’d think I’d hold a grudge against Tracie. Not the case, really. I see her as part of the new face of pop that was coming into vogue at that point.

    The clash and the jam were my Beatles and stones. Loved both. Felt the clash and post clash directions (reggae, dub, hip hop, club music) were WAY more interesting to me than the straight-60s soul approach Weller took.

    As for “house that have built”… I hear a near rip-off of Squeeze’s ‘black coffee in bed’!

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